Bayeux Tapestry Is in London Now: Visiting Bayeux 2026/27

I have always dreamt of visiting the famous French tapestry known as the Bayeux Tapestry, and when the opportunity came up to spend a few days in Bayeux, France, I was overjoyed. Bayeux turned out to be one of my favourite places in Normandy and seeing the tapestry itself, up close in its dim, hushed gallery, was genuinely stunning.

A canal flows between stone buildings, framed by vibrant pink and red flowers in the foreground.
Xyuandbeyond is reader-supported. When you buy through links on our site, we may earn an affiliate commission. You can read our privacy policy here .

Quick note before you plan your trip: as of late 2025 the Bayeux Tapestry is no longer on display in Bayeux. It’s on loan to the British Museum in London for a landmark exhibition running September 2026 to July 2027, while its home museum undergoes a major renovation. I’ve covered exactly what that means for your visit below but everything else that makes Bayeux worth a few days (the cathedral, the D-Day sites, the restaurants, the town itself) is unaffected.

Fast Facts: Bayeux & the Tapestry

Tapestry location (2026–2027)British Museum, London Sainsbury Exhibitions Gallery, 10 Sept 2026 to 11 July 2027
British Museum ticket price£25–£33 (tiered by day/time); National Art Pass £16.50; under-16s free with adult; members free (capped, book ahead)
Bayeux Museum statusClosed to the public since 1 Sept 2025; reopening October 2027
Why it’s closed€38 million renovation and conservation project, new RSHP-designed extension
Reciprocal loan to FranceSutton Hoo treasures and the Lewis Chessmen
Tapestry length68m (sometimes cited as ~70m), 50cm high, 58 embroidered scenes
Distance from Paris~3hr drive, or ~2h20 direct train from Paris Saint-Lazare
Best base forD-Day beaches, Bayeux Cathedral, Normandy countryside

The Bayeux Tapestry Is in London Until 2027 What That Means for Your Trip

The Bayeux Museum closed its doors to the public on 1 September 2025 for a major renovation and conservation project. It’s not reopening until October 2027 timed to coincide with the 1,000th anniversary of the birth of William the Conqueror. The new building, designed by British architectural firm RSHP, will roughly double the exhibition space and display the tapestry on a specially engineered, gently inclined support built for its long-term conservation.

A large stone building with a courtyard features manicured topiary trees, a gravel garden, and a paved path.

While the tapestry is off display, it’s not sitting in storage it has crossed the Channel. On the night of 9–10 July 2026, the 68-metre embroidery left Bayeux under high security and arrived in London, where it went on show at the British Museum, in the Sainsbury Exhibitions Gallery, from September 2026 through July 2027. It’s the first time the Bayeux Tapestry has been back on British soil in more than 900 years remarkable, given the story it tells is Britain’s own conquest.

The loan is reciprocal: in exchange, the British Museum has sent treasures from the Sutton Hoo ship burial and the Lewis Chessmen to museums in Normandy for the same period. It’s being framed as part of a wider 2026–2027 season of Anglo-French culture, which also ties into the Grand Départ of the 2027 Tour de France starting in the UK.

What this means practically: if you’re in Bayeux between September 2025 and October 2027, you will not be able to see the tapestry there the Bayeux Museum building itself is closed, not just the tapestry gallery, so you’ll also miss the adjoining Baron Gérard collection until it reopens (check the Bayeux Museums site before you go, as some satellite sites may run reduced hours during the works). If London is on your itinerary for late 2026 or the first half of 2027, that’s currently your best chance to see the actual tapestry otherwise, plan your Bayeux visit for after October 2027, when it returns home to a newly doubled gallery.

How the British Museum Is Hosting It

The exhibition opens on 10 September 2026 and runs until 11 July 2027. For the first time in its history, the tapestry will be displayed flat, in one continuous 70-metre length, inside a specially designed showcase built for the loan rather than the shorter wrapped-gallery format used in Bayeux. The museum says digital elements will be woven in alongside the textile itself to help visitors follow the story, and the display sits alongside loaned objects intended to explain how and why the tapestry was made. Each visit is a timed, 40-minute entry slot, with dedicated weekly time slots set aside for school groups.

Visitors walk along a long, illuminated display case containing a detailed historical tapestry in a dark museum gallery.

Tickets went on sale 1 July 2026 for a tiered price: £25 (super off-peak, the last weekday slot in school term time), £27 (off-peak), up to £33 (peak). Under-16s go free with a paying adult, and Art Fund National Art Pass holders pay £16.50. British Museum members get free entry (capped at two visits across the run, booked in advance, membership card required) with priority booking from June before general sale. Demand has been fierce more than 65,000 people joined the online queue on release day, and the first tranche of dates (September–December 2026) sold out fast, with further releases following in October 2026 (for January–March 2027) and January 2027 (for April–July 2027). If you want to go, book as early in each release window as you can, and check the British Museum’s website directly for current availability.

If you can’t get British Museum tickets, or you’re not planning a London trip at all, there’s a full-size replica already on permanent display at Reading Museum in Berkshire, about 25 minutes by train from London Paddington. It was made in 1885–86 by 35 women embroiderers from the Leek Embroidery Society, organised by Elizabeth Wardle a keen embroiderer who’d seen the original in Bayeux and felt England should have its own copy, made in the same spirit as the Arts and Crafts movement she and her husband moved in alongside William Morris.

An embroidered tapestry depicting historical figures and animals is displayed behind glass above an antique sword.

It’s a faithful, full 70-metre reproduction, hand-stitched in wool on linen using the same techniques as the original, with only two deliberate differences: the nude male figures in the borders were given underwear for Victorian modesty, and there’s an extra strip at the bottom where every embroiderer signed her section, something the original doesn’t have. It’s free to visit, on permanent display in its own purpose-built gallery, with guided tours most Saturdays a genuinely good option if you want to see the whole story told scene-by-scene without booking months ahead or paying London exhibition prices.

Seeing it in Bayeux: what it was like

I saw the tapestry the traditional way, in Bayeux itself, before any of this and it’s an experience I’d recommend to anyone who gets the chance once it’s back on home ground. It’s kept in a dim room, lit only enough to protect the centuries-old wool and linen, with an audio guide walking you scene by scene through the 58 panels no photos allowed, which somehow makes you look harder rather than reach for your phone. Twenty-five minutes doesn’t sound long, but standing that close to something stitched nine centuries ago, telling the story of an invasion that changed the course of English history, is honestly stunning it’s the kind of thing that makes you stop reading the audio guide captions and just look.

Three embroidered panels depicting historical scenes are hung on a rough stone wall.

History of Bayeux

Two important historical conquests directly affected Bayeux one nearly 1,000 years ago, and another just in the last century.

Norman Conquest of England in 1066

William, Duke of Normandy, invaded England and defeated King Harold at the Battle of Hastings on the south coast of England, and was crowned king in Westminster Abbey on Christmas Day, 1066 the beginning of about a century of Norman rule in England. The Bayeux Tapestry records the events leading up to it, including Harold’s sworn oath to William that the Normans later said he broke, giving them their justification for invasion.

Statue of Rollo the Viking in his hometown of Falaise france

Archaeologists discovered in 1990 that huge blocks in the base of Bayeux Cathedral point to an earlier Roman building. By the 3rd century Bayeux had a defensive wall (torn down in the 18th century) it was the Roman Empire’s first line of defence against Viking raiders. The town was largely destroyed in Viking raids in the late 9th century, rebuilt in the early 10th, and in 911 passed to Rollo the Viking under the Treaty of Saint-Clair-sur-Epte. His descendants Normans, essentially Vikings with a new name reorganised the territory, and it eventually passed to William the Conqueror, born in nearby Falaise.

Bayeux Cathedral was also where Harold II reportedly swore his oath to William. Richard the Lionheart, William’s great-great-grandson, ruled the area for ten years before his death led to Normandy’s annexation to France.

Rollo the viking tomb in France

Bayeux in WWII

The Nazis left Bayeux on 6 June 1944, and the Resistance quickly told the Allies there was no point bombing the town so Bayeux was spared the devastation seen elsewhere in Normandy. It became a transit hub for Allied soldiers and vehicles heading to the front (too large for the narrow medieval streets, so engineers built a bypass road around the town). On 14 June 1944, General de Gaulle landed in Normandy and gave his first speech on French soil in Bayeux a moment that helped cement his legitimacy as leader of liberated France. For that summer, Bayeux was effectively the capital of France until Paris was liberated on 25 August.

Things to Do in Bayeux

The Battle of Normandy & D-Day Sites

The Normandy beaches and D-Day sites lie just north of Bayeux, about 10km inland from the coast, making the town a perfect base. Omaha, Gold, Juno, Sword and Utah beaches each saw intense fighting on 6 June 1944. Pointe du Hoc, between Utah and Omaha, was a heavily fortified German artillery position with a dramatic cliff-top setting. Arromanches, also easily reached from Bayeux, was home to the temporary Mulberry Harbour remains of which are still visible and has its own D-Day museum.

Bayeux Discovery Walks runs English-language walking tours of medieval Bayeux from the tourist office daily at 9.30am, with additional 5pm walks April through September (€15pp, 2 hours).

Memorial Museum of the Battle of Normandy

On the edge of town, this museum documents the Normandy invasion in depth, with military equipment tanks, small arms and dioramas of the conditions troops fought in. It’s considered one of the best D-Day museums in the world.

The Bayeux War Cemetery

A beautifully kept cemetery of around 4,500 graves near the museum. The ages on the headstones are hard to see. A book of names is kept in the Memorial if you’re looking for a family member.

We bought a Bayeux Museum Pass (previously €15pp) covering the Battle of Normandy Museum, the Bayeux Tapestry, and the Baron Gérard Museum well worth it when all three are open. With the Tapestry Museum closed until October 2027, check the Bayeux Museums site for a revised pass covering whichever sites are currently open.

Serene rows of white headstones at Le Touret Military Cemetery in France under a blue sky.

Walking the Town

Bayeux is a genuinely charming town, with the River Aure running through it and several picturesque watermills. It was one of the first towns liberated by the Americans, and North American visitors get a very warm welcome. You can walk it yourself or take a small tourist train from the Tourist Office on Rue Saint-Jean. The town square, with its fountain and historical plaques, is where de Gaulle spoke a week after Allied forces entered on 14 June 1944. Bayeux was miraculously spared the 1944 bombings, so much of its historic fabric survives intact.

A stone building with a water wheel sits beside a canal in a town with historic architecture and church spires.

Cathedral of Our Lady of Bayeux

Notre Dame de Bayeux was originally built in Romanesque style in the 11th century, with Gothic features added in the 15th. Over 900 years old, it’s the centrepiece of the town its spire visible from almost anywhere, and it glows golden when lit at night. The gothic exterior, with soaring arches and stained glass, is genuinely breathtaking; don’t skip the crypt with its ancient paintings, or the small courtyard beside it with a tree said to be hundreds of years old. If you’re visiting in November or December, catch the Tapestry of Bayeux light show a free 30-minute digital projection on Saturday nights that brings the tapestry’s scenes to life on the cathedral itself, a nice way to experience it even while the museum is closed.

Conservatoire de la Dentelle (Lace)

Two nuns brought to Bayeux from Rouen in the 17th century taught the town’s women the art of lacemaking, and the Conservatoire keeps that tradition alive today you can even take a class while you’re in town.

What Is the Bayeux Tapestry?

The Bayeux Tapestry is a 68-metre (sometimes cited as roughly 70-metre) embroidered not woven cloth telling the story of William the Conqueror and King Harold’s fight for the English throne, culminating in the Battle of Hastings and the Norman conquest of England in 1066. The conflict began when Harold reneged on his promise to William not to take the throne after King Edward’s death.

Historians differ on exactly who created it, but most agree it was made shortly after the conquest by one consistent group of embroiderers. Legend credits William’s wife, Reine Mathilde, and her ladies-in-waiting; another tradition points to nuns in England. In 2007 it was added to UNESCO’s Memory of the World Register.

A tapestry depicting two ships with figures and the text NAVIGIO and MARE hangs on a stone wall.

The tapestry is 58 scenes of hand-stitched wool embroidery on linen, worked in naturally dyed thread. During WWII, Himmler became fixated on the tapestry, believing it illustrated Germanic origins, and had it moved to the Louvre in Paris with plans to take it to Germany a plan the French Resistance helped block. It was returned to Bayeux after the war.

On the second floor of the (now closed) Tapestry Museum, a replica Viking ship and other artefacts round out the visit.

The panels people always stop at

Harold’s oath at Bayeux (scene 26) — Harold swears his allegiance to William on sacred relics. This is the whole justification for the invasion, so it’s the emotional hinge of the story.

Embroidered textile panel featuring figures, Latin text, and stylized animals in a medieval artistic style.

Edward the Confessor’s death and Westminster Abbey — a detailed, almost architectural rendering of the newly consecrated abbey, with a hand of God pointing down from the sky.

A medieval-style embroidery depicts a building, a hand descending from above, and figures carrying a decorated rectangular

Halley’s Comet (scene 32) — the first known depiction of the comet in art, with onlookers pointing up in alarm (“ISTI MIRANT STELLA” — “they marvel at the star”). It appears right after Harold’s coronation as a bad omen, even though the real comet showed up months later the embroiderers took artistic license for dramatic effect.

An embroidered scene depicts figures pointing toward a star in the sky above buildings with Latin text overhead.

Building the Norman invasion fleet — a wonderfully detailed shipbuilding sequence: felling trees, shaping planks, and finally a fleet of longships crossing the Channel with horses aboard.

An embroidered tapestry depicts stylized figures, animals, and Latin text in a medieval art style.

The feast after landing — Bishop Odo (William’s half-brother, and likely the tapestry’s actual patron) blessing food at a banquet table, staring straight out at the viewer.

An embroidered tapestry depicts figures dining at tables with Latin text and decorative animal motifs above and below.

The Mont Saint-Michel rescue scene, earlier in the tapestry — Harold pulling Norman soldiers out of quicksand near the abbey during a campaign in Brittany, a nice human moment before the politics turn ugly.

A section of a medieval tapestry depicts armored figures on horseback and on foot crossing a river with Latin text above.

The cavalry charge and battle scenes at Hastings — dense, chaotic action with fallen horses and soldiers, genuinely impressive for 11th-century needlework.

An embroidered tapestry depicts a line of mounted soldiers in conical helmets with Latin text above and animals below.

The death of Harold (scene 57) — the famous arrow-in-the-eye moment, “HIC HAROLD REX INTERFECTUS EST.” Worth mentioning it’s disputed whether that figure is even Harold, or whether the arrow was added later.

An embroidered tapestry depicts armored soldiers on foot and horseback with shields and swords, with Latin text above.

The borders, throughout — easy to skip past, but the top and bottom margins are full of Aesop’s fables, farming and hunting scenes, mythical beasts, and (further along, as the story gets bloodier) increasingly graphic and even risqué imagery that mirrors the main narrative’s tone.

The final scene — English troops fleeing Hastings, which cuts off abruptly, fuelling centuries of speculation about a lost ending.

An embroidered tapestry depicts figures on foot and horseback, some holding spears or trumpets, in a medieval style.

Bayeux Museum

Housed in a restored chapel, this newer museum covers Bayeux’s wider history prehistoric finds through to paintings, sculpture, lace and porcelain.

Baron Gérard Museum

Set in the former Episcopal Palace of the Bishop of Bayeux (closed 2001, reopened 2013), this museum holds archaeological finds, Bayeux lace and porcelain, and paintings from Boudin, Corot, Boucher and others.

Two people stand in an art gallery with many framed paintings displayed on red and white walls above a wooden floor.

The Botanical Gardens of Bayeux

A 19th-century, 6-acre garden and Historical Monument of France, designed by the Buhler brothers (who also designed Rennes’ Parc du Thabor).

Pink hydrangea flowers bloom in the foreground of a gravel path leading to buildings set in a lush, green garden.

Bayeux Market

Every Saturday morning (roughly 8am–2pm) the town turns out for the market in Saint Patrice square garlic, seasonal vegetables, beds, clothing, and Norman staples like Calvados, cider and cheese. In summer there’s also a Thursday-evening arts, crafts and local food market in front of the town hall.

A vibrant outdoor market in France, with customers browsing stalls of green plants and seedlings.

Shopping in Bayeux

Bayeux’s shopping area is really two streets Rue Saint-Martin and Rue St. Malo in the old town. Shops tend to be small and pricier, but there are a few good souvenir spots, plus plenty of tabacs for a coffee, beer or wine while you watch the world go by.

Historic half-timbered buildings and a classical facade line a sunny street in Bayeux, France.

D-Day Beaches and Museums from Bayeux

If you’re driving yourself, don’t miss:

  • Airborne Museum, Caen Museum, and Juno Beach Centre
  • American Cemetery, Bény-sur-Mer Canadian War Cemetery, Bayeux War Cemetery
  • Utah, Juno, Omaha, Sword and Gold beaches
  • Sainte-Mère-Église Church
  • Pegasus Bridge Memorial

Where to Eat in Bayeux

La Reine Mathilde

Named for William the Conqueror’s wife, this lovely 1800s-style tea room chandeliers, antique wrought iron, white walls is my pick for afternoon tea. Skip the coffee (unremarkable, as usual in France); the tea selection and pastries are excellent.

Ornate interior of a classic Parisian tea room with white cast-iron tables and chairs, displaying gourmet sweets.

La Rapière

Tucked on a small ancient lane off Rue St Martin, in a stone room dating to the 16th century. Owners Linda and Simon (and their staff) speak English, and the food is superb fixed-price menus from lunch €16–21 to dinner €36–49, mains €20–28. We had lobster ravioli, melt-in-your-mouth roast pork loin with dried apple and silky mash, and a steak with chanterelles and seasonal vegetables, finished with chestnut cheesecake and salted caramel-chocolate dessert. It was so good we ate here twice.

Cozy French restaurant interior with stone walls, wooden tables, blue chairs, and wine bottles.

Au Ptit Bistrot

Just around the corner from where we stayed unassuming, with a cute patio, but the food (braised beef cheeks in red wine, roasted pigeon) is fabulous. Reservations recommended.

The exterior of a restaurant named Au Ptit Bistrot features a glass-enclosed patio with outdoor seating and greenery.

Les Volets Roses

On the way to the cathedral’s front entrance another good tea room, with a French breakfast (coffee, orange juice, croissant, bread, butter, jam) and a rare Sunday brunch of cheese, quiche, bread, cakes and tarts.

Tasty croissant sandwich with ham, cheese, and vegetables on a black plate.

Where to Stay in Bayeux

The Tiny House

We stayed at Tiny House au Cœur de Bayeux, just yards from the cathedral and a short walk to the main street bigger than its name suggests, with a separate bedroom, modern bathroom, and a good open-plan living/dining/kitchen area, plus a gorgeous outdoor garden space. Under 1km from the cathedral and a 10-minute walk to the Baron Gérard Museum.

A sunroom with a tan sofa, a black rocking chair, and a large potted plant overlooks a stone-walled outdoor patio.

Hôtel Reine Mathilde

Hotel Reine Mathilde is In the medieval district, 300m from the (currently closed) Tapestry Museum free WiFi, modern rooms in warm neutral tones, private bathrooms, and a daily buffet breakfast at Le Garde Manger.

Château de Bellefontaine

An 18th-century mansion 800m from the cathedral, set in parkland with 200-year-old trees, a tennis court and a pond. Individually decorated rooms with minibar and free WiFi; dinner by reservation; buffet breakfast (or continental in-room).

A large stone building with a blue roof stands behind a grassy garden with pink roses and a gravel driveway.

There you have it I could have stayed in Bayeux, France, and dare I say it, even lived there. Have you made it to see the Bayeux Tapestry, whether in Bayeux or now in London?

FAQ Bayeux & the Bayeux Tapestry

Can I still see the Bayeux Tapestry in Bayeux right now?

No. The Bayeux Museum, which houses the tapestry, closed to the public on 1 September 2025 for a major renovation and won’t reopen until October 2027.

Where is the Bayeux Tapestry now?

It’s on loan to the British Museum in London, on display in the Sainsbury Exhibitions Gallery from 10 September 2026 to 11 July 2027 the first time it has been in the UK in over 900 years.

Why is the Bayeux Tapestry Museum closed?

For a €38 million renovation and conservation project that will roughly double the exhibition space and give the tapestry a new, specially engineered display support, in a new extension designed by British firm RSHP. It’s timed to reopen in October 2027 for the 1,000th anniversary of William the Conqueror’s birth.

What is France getting in return for the loan?

The British Museum is loaning treasures from the Sutton Hoo ship burial and the Lewis Chessmen to museums in Normandy for the same period.

How much are tickets to see the Bayeux Tapestry at the British Museum?

Tickets are tiered by day and time: £25 for super off-peak slots, £27 off-peak, and up to £33 at peak times. Under-16s go free with a paying adult, and Art Fund National Art Pass holders pay £16.50. British Museum members get free entry, capped at two visits, booked in advance.

How long is the Bayeux Tapestry exhibition visit?

Each ticket is for a timed 40-minute entry slot. The tapestry is displayed flat, in one continuous 70-metre length, for the first time alongside loaned objects and digital elements explaining how and why it was made.

Do I need to book Bayeux Tapestry British Museum tickets in advance?

Yes, and as early as possible the first release sold out quickly, with over 65,000 people in the online queue on the first day. Tickets are released in phases: general sale from 1 July 2026 for Sept–Dec 2026 dates, October 2026 for Jan–Mar 2027, and January 2027 for Apr–Jul 2027.

Is Bayeux still worth visiting while the tapestry is away?

Yes. The cathedral, the D-Day sites and museums, the war cemetery, the town itself and its restaurants are all unaffected by the closure the tapestry is genuinely the highlight, but far from the only reason to go.

What are the top attractions in Bayeux, Normandy?

The Bayeux Tapestry (currently in London), Bayeux Cathedral, the Battle of Normandy Memorial Museum, and the D-Day sites and beaches nearby.

How can I explore the D-Day sites from Bayeux?

Day tours run to Omaha Beach, Pointe du Hoc, Utah Beach, the American Cemetery and Arromanches, or you can drive yourself Bayeux is well positioned as a base.

What is the significance of Bayeux Cathedral?

A Gothic masterpiece housing the tomb of William the Conqueror, and reputedly the site of Harold II’s oath to William that set the Norman Conquest in motion.

What is Bayeux famous for?

The Bayeux Tapestry, its Gothic cathedral, and its role as one of the first French towns liberated after D-Day.

How do you pronounce Bayeux?

Bay-yu.

When does the Bayeux Cathedral light show happen?

From mid-July to the end of August each year (“Tree of Liberty” and cathedral illumination); the free Tapestry-themed digital light show runs on Saturday evenings in November and December.

When is the Bayeux Medieval Festival?

The first weekend of July every year it’s run for over 30 years and draws around 50,000 visitors.

How far is Bayeux from Paris?

About a 3-hour drive, or roughly 2 hours 20 minutes by direct train from Paris Saint-Lazare (around 8 direct trains a day).

How do you get to Bayeux from Paris?

By direct train from Paris Saint-Lazare (about 2h20), by bus (cheaper, slower), or by car (around 3 hours) book train tickets ahead for the best fares.

William the Conqueror was born in this castle in Falaise it sits high a top a hill

Interested in reading more about visiting France where I lived for 3 years? Here are some more articles for you:

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Scroll to Top